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Matthias Grunewald - перевод на Английский
![Frankoniabrunnen]], by [[Ferdinand von Miller]] (1824), now in front of the [[Würzburg Residence]]](https://commons.wikimedia.org/wiki/Special:FilePath/Frankoniabrunnen2.JPG?width=200 "Frankoniabrunnen]], by [[Ferdinand von Miller]] (1824), now in front of the [[Würzburg Residence]]")
![forged]] painting based on this drawing.](https://commons.wikimedia.org/wiki/Special:FilePath/Grünewald Heilige Dorothea 01.jpg?width=200 "forged]] painting based on this drawing.")
![Second state of the [[Isenheim Altarpiece]], Colmar, [[Unterlinden Museum]]](https://commons.wikimedia.org/wiki/Special:FilePath/Mathis Gothart Grünewald 030.jpg?width=200 "Second state of the [[Isenheim Altarpiece]], Colmar, [[Unterlinden Museum]]")
![''The [[Stuppach Madonna]]'', 1514–1519.](https://commons.wikimedia.org/wiki/Special:FilePath/Stuppacher Madonna - Grünewald.jpg?width=200 "''The [[Stuppach Madonna]]'', 1514–1519.")
![''[[The Miracle of Our Lady of the Snows]]'', 1517-1519](https://commons.wikimedia.org/wiki/Special:FilePath/Matthias Grünewald - Establishment of the Santa Maria Maggiore in Rome - WGA10779.jpg?width=200 "''[[The Miracle of Our Lady of the Snows]]'', 1517-1519")
![The Mocking of Christ]]'', c. 1503](https://commons.wikimedia.org/wiki/Special:FilePath/Mathis Gothart Grünewald 062.jpg?width=200 "The Mocking of Christ]]'', c. 1503")
![''Christ Bearing the Cross'', 1523–25 (originally on one side of the panel that is known as the [[Tauberbischofsheim altarpiece]], [[Kunsthalle Karlsruhe]])](https://commons.wikimedia.org/wiki/Special:FilePath/Mathis Gothart Grünewald 060.jpg?width=200 "''Christ Bearing the Cross'', 1523–25 (originally on one side of the panel that is known as the [[Tauberbischofsheim altarpiece]], [[Kunsthalle Karlsruhe]])")
![Large ''Crucifixion'', 1523–25 (originally on the other side of the panel known as the [[Tauberbischofsheim altarpiece]])](https://commons.wikimedia.org/wiki/Special:FilePath/Mathis Gothart Grünewald 058.jpg?width=200 "Large ''Crucifixion'', 1523–25 (originally on the other side of the panel known as the [[Tauberbischofsheim altarpiece]])")
![''Crucifixion'' in the [[Kunstmuseum Basel]].](https://commons.wikimedia.org/wiki/Special:FilePath/Mathis Gothart Grünewald 047.jpg?width=200 "''Crucifixion'' in the [[Kunstmuseum Basel]].")
![''Crucifixion'' in the [[National Gallery of Art]], Washington.](https://commons.wikimedia.org/wiki/Special:FilePath/Mathis Gothart Grünewald 007.jpg?width=200 "''Crucifixion'' in the [[National Gallery of Art]], Washington.")
![[[Galilee]], site of Josephus's governorship, before the First Jewish–Roman War](https://commons.wikimedia.org/wiki/Special:FilePath/Ancient Galilee.jpg?width=200 "[[Galilee]], site of Josephus's governorship, before the First Jewish–Roman War")
![The works of Josephus translated by [[Thomas Lodge]] (1602)](https://commons.wikimedia.org/wiki/Special:FilePath/Josephus flavius, english 1602.jpg?width=200 "The works of Josephus translated by [[Thomas Lodge]] (1602)")
![1581 German translation of Josephus' [[The Jewish War]] in the collection of the [[Jewish Museum of Switzerland]]](https://commons.wikimedia.org/wiki/Special:FilePath/Von alten jüdischen Geschichten. Vom jüdischen Krieg.jpg?width=200 "1581 German translation of Josephus' [[The Jewish War]] in the collection of the [[Jewish Museum of Switzerland]]")
Определение
Википедия
Matthias Grünewald (c. 1470 – 31 August 1528) was a German Renaissance painter of religious works who ignored Renaissance classicism to continue the style of late medieval Central European art into the 16th century. His first name is also given as Mathis and his surname as Gothart or Neithardt.
Only ten paintings—several consisting of many panels—and thirty-five drawings survive, all religious, although many others were lost at sea on their way to Sweden as war booty. He was obscure until the late nineteenth century, when many of his paintings were attributed to Albrecht Dürer, who is now seen as his stylistic antithesis.
His largest and most famous work is the Isenheim Altarpiece created c. 1512 to 1516.
